FERNANDES TEJ-55G
owner: Shin
2015.5.10: It was at the hard off on the way back from the excursion to Kyoto. I just didn't have a telecass and the Jackson head was cool and I wanted TEJ somehow, so I bought it. The reasons for the junk are bad jacks, stickers, dirty, and if you look closely at a later date, almost all the potato screws on the bridge saddle are stuck. -The rear PU also has different pole piece spacing (this was not the usual trem pitch) 2015.6.7: Finally completed. The following changes ・ PU: Rear ➡ Tap wiring for grass roots bridge ・ Front ➡ Schaller large pole piece PU Front mount position corrected ・ Bridge saddle ➡ Photogeni genuine, screws are new ・ Bridge spring ➡ 2 ibanez genuine used, 1 new power spring All 3 new power springs I replaced it with the weak ibanez because the arm was about to break ・ Gold knob ➡ Cosmo black knob ・ Strap pin ➡ Lock pin Jack ➡ Switch Craft-made ・ Conductive paint on counterbore ・ Wiring material ➡ Belden ・ 1vol ・ 1tone 250kΩ each ➡ Jazz-be-type 2vol with rear 500kΩ push-push type switchpot ・ Front 250kΩ However, I liked it because it was close to the jazz feeling of Telecas. Since the switch pot is CTS size, the holes have been manually expanded. The toggle switch was switched up and down, but the angle is changed to make it slanted. I wanted to lie down, but the counterbore was too narrow. For the binding peeling, I use a bond to reinforce the pegs and the gold plating of the bridge with Picard and polish it until it looks like chrome. 2015.7.26: In order to get closer to the real telecas, the volume pot was set to 1MΩ, a high-pass capacitor was added, and a tone was also added. The front and back mix seemed to be useless due to the phase, but I think that the individuality of the front and back alone was emphasized and the high-pass filter made it more like a telecass with a trebry tone. 2015.12.8: When I bought the original Jackson and compared it, I think that the neck shape is very similar, but Jackson is a little thinner and wider. 2016.1.17: When I replaced it with a new 750 yen bridge that was in the junk corner at the parts shop, the tuning became more stable than the genuine one (laugh) Since there was no arm, I attached the genuine Photo Jennie. increase. Also, the power spring was attached only in the middle of the three springs, but it seems that it also contributed to stability by removing it and making it a two-pronged hook and tightening the screws until the bridge is solid. I thought that the shape of the head was the cause of the tuning error. After I bought it, I feel like I've tightened it around the rod ... I'm still lending it to my friend.
brand | |
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model | |
year | 92~98 |
madin | Japan |
sound features | By exchanging the high-pass and pot, the rear has a jerky sound that seems to be telecass, whether it is a tap or a ham. |
purchase price | Main body 3240 + case 1080 + repair fee total 15000th place |
type of gear | THIS |
body material | Basswood |
neck material | Maple |
fingerboard material | Rose wood |
tuning machenes | GOTOH |
number of frets | 22 |
scale length | Long |
pickups | F: Schaller large pole piece type R: Grass Roots genuine |
controls | 1vol(CTS A1MΩ+orange drop 0.0012μF 600v)、1tone(ESP push&push A500kΩ+orange drop 0.022μF) |
bridge | FER-ST-P ➡ Anonymous two-point support type |
category | Electric-Solid-Body-Guitar |